Mary Fedden (1915-2012) painted many modern still lifes in which a few objects are arranged with perfect naturalness; they are a far cry from the extravagant artifice of many earlier, often academic, studies. All week on the Post we have looked at the table-top in art as something relatable and truly domestic in that it is the locus of changing arrangements and groupings which spring up spontaneously in homes. This is Mary Fedden's Stiil Life with Flowers in a Bottle (1968, Peterborough Museum and Art Gallery).