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5 January 2022

Mary Adshead has been on the Post and the Letter before, as has Daphne Charlton, and in fact without wanting to sound boastful/cpmplacent – so have most of the women artists in Carolyn Trant's book. But naturally she makes  observations one had never thought of, and points to fascinating connections between them. And most importantly, pays homage. This is by Elinor Bellingham-Smith, it's A London Garden, undated, at the Northampton Museum and Art Gallery.

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