'The usual doses of indifference, condescension and critical hostility were all increased for female applicants to the avant-garde boys' club. And so they banded together to battle prejudice and carve out room to manoeuvre. ..Now the Whitney honours [their] resourcefulness in the same way MOMA did in 2017 with Making Space: Women Artists and Postwar Abstraction – by not making nearly enough space.' This is Perle Fine's Sub-Marine 1948.