'A different show, conceived in anger rather than resignation, might have leveraged the limitations [of not enough space etc], offering a keyhole view into a vaster world. This one makes do.' Oh dear, we know all too well about tokenism (is that a word?). On the other hand, the Whitney has tried, and here is their 'editorial' about the exhibition. And better to have the exhibition, albeit too small, than not have it at all. This is Lee Krasner's Still Life, 1938.